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我有毒
我也要给这影片打分:
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还行
主演:
EstebanProlHoracioFontovaSergioPodeleiGastónCocchiaraleFiniBocchinoVerónicaIntileGoyoEscardóDemiánSalomónRodrigoFerreyra
清晰:
HD中字
类型:
恐怖片动作科幻恐怖
地区:
其它
语言:
其它
导演:
DanieldelaVegaPabloParés
时间:
2023-08-30 23:30:11
年份:
2018
评论:
剧情:
Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American G… 详细剧情
【观看小贴士】: [DVD:普通清晰版]  [BD:蓝光高清版]  [HD:高清版][TS/TC:抢先非清晰版] - 其中,BD/HD版本不太适合网速过慢的用户观看

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剧情介绍

Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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    Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.